Blog Archives

Authors on Author Photos

Iron Night released cover big version The author photo appears on the back page or cover of a book and has a strange position in our medium. We have hundreds of pages at our disposal to influence the reader, but one photo to say, “And this is me.” But who do we present as “me”? It’s a picture, after all. You can be almost anyone you want to be in a picture. It’s not as if you’d have to keep that persona going even as long as an average dinner party. You could deck yourself out in tweed and a pipe and do your best Tolkien impression and no one would know any better. Judith Butler wrote about identity as a purely social construct with a large performative element – certainly we all know that there are expectations readers might have about who writes what genre. If we want to, we can defy or meet those expectations. Or we can just run a hand over our hair, slap the camera on a tripod, and call it a day.

These were the ideas I was playing with recently, but then The Daily Dot’s Aja Romano posted about sexism in speculative fiction, and one of her quotes was from Sean P. Fodera (who then threw an incredible tantrum over the insolence of someone publicizing his more disgusting forum posts), who wrote, regarding the excellent writer Mary Robinette Kowal:

“For a long time, her website featured an array of photos of her in a diaphanous white outfit, posing on a beach. No metal bikinis or such, but they were not innocuous writer headshots either. One of them, with her recumbent on the sand with legs exposed, made her somewhat attractive.”

Even if we disregard the specter of the disapproving Puritan in Goodman Fodera’s tone, that phrase “not innocuous writer headshots” springs out. It suggests that there’s a right way for the writer to present themselves, within acceptable boundaries, and that Kowal has transgressed beyond those lines.

Setting aside the blatant sexism in what Fodera is typing would be like trying to ignore rain during a downpour, but this isn’t a solely male-female issue, where female authors are the only ones under pressure. Consider the way that Fodera has also brought up the issue of attractiveness – women aren’t the only ones who are subject to the reader’s gaze. Every social science study conducted since the first professor had a useful grad student to serve as a confederate has shown that we like attractive people. We are more likely to respond positively to their ideas, to hire them for jobs, and possibly to also buy their books. When an author sorts through possible photos for the back jacket, is there also the subtle concern that if one is selected where the author looks particularly trollish, then there might be an ever-so-small impact on sales?

And wrapping itself together with all of those other issues – no writer is published overnight, and there’s no author who didn’t spend at least a few daydreaming moments considering what their picture would look like when that day of triumph finally arrived.

If you look on the inside cover of my books (which you certainly should – preferably after reading their contents), you won’t see an author photo. Or anywhere on this blog, actually. It was a decision made for the book, and I do think that it was the right one to try to give the series the best possible chance. Is it one I feel good about, though – that I’m not ever sure. Some days I feel one way, other days I feel another. But I will say this: when I was in high school, I read R. A. Salvatore’s Icewind Dale series. There was no author photo, and there was a gender-neutralized name – and for a number of years I thought that R. A. Salvatore was a female author. That lack of the photo allowed me to project anything I wanted, and at that age I guess what I wanted was another female author on my shelf.

So what goes into an author photo? How do different writers view it? Joining me to tackle this question are eight wonderful other authors who couldn’t figure out a graceful way to say no when I asked them to participate!


    Jason Hough

Darwin Elevator coverAuthor photos are an interesting beast. They remind me of advertisements for Real Estate agents, which almost always prominently feature a glamour shot of said agent, for what reason I’ve never understood. I want to know how successful they are at selling houses. What does it matter what they look like? I asked this question of myself when my literary agent asked me for a portrait to include on her website. That was the first time in my career the author photo came up.

Despite my diatribe above, it’s understandable that people want to form a personal connection with their favorite authors, and knowing what they look like does help accomplish that.

When I signed my first book deal with Del Rey, one of the first things my agent said was “Go out and get a professional headshot taken.” I did so. Here it is:

Jason Hough Pic 1

It looks very “authorly” I suppose, and my friends all commented immediately that the only reason I’d have such a picture on my Flickr page was because I’d landed a deal (it wasn’t announced yet). I used the picture on my blog and in a few other places, but just before publication I changed my mind and went with this picture to go on the inside jacket of my books:

Jason Hough Pic 2

It’s not as serious, not so professional in composition and all that. My friends were pretty much evenly split on which to use when I posed the question. The main reason I picked this one is my 3 year old son took it, and I couldn’t pass up the chance to give the little dude a photo credit.

He took another picture of me later, and I’ve been using it since:

Jason Hough Pic 3

Which one is the “best”? Damned if I know. Is someone going to base their buying decision on what I look like? Sad to say, probably. But I don’t really think many people do this. If they did George RR Martin would never have sold a book. Sorry George, all due respect — you’re a stud and we love you! If anything his bearded, geeky glory is exactly what you’d want in a fantasy author!

I can say with some certainty that I never deliberately looked at an author’s portrait until I became an author myself. I never bothered to look at who published their book, either. These things didn’t matter to me as a reader. They are only things I think about now that I’m part of the club. Who published someones book matters when you’re an author. As far as their looks, well, it helps me recognize them when I go to conventions and want to introduce myself. That’s about it.

Do looks matter for authors? I’m walking a tightrope here but what the hell. I’m a balding middle-aged ginger white guy of decidedly average appearance. I’ve noticed in my short stint as an author that there are a few colleagues of mine (talking about the male authors here) who are smashingly handsome fellows. And, they all seem to be stunningly well connected and popular within the author community. There was a time when I felt very jealous of this, and attributed it all to their looks. But over time I’ve come to some new conclusions. First off, in my experience good looking people are often very, very confident. They almost can’t help it, I think. It comes with a lifetime of having people want to meet you, I suppose. Whatever the case, it is their confidence that makes them a magnet in social settings, not their looks. When you look at the broader landscape, the one common trait of any gravitational body in a social solar system is confidence. Good looks probably helps people become that way, but there’s plenty of other roads leading there. Success, for example. A keen sense of humor. Self-awareness. Shameless self-promotion. For some folks a little alcohol does the trick.

Do some people let physical appearance sway their opinion of an author? I suppose so. However if we’re going to call for the author portrait to be abolished because it places too much importance on looks, which don’t matter one whit when it comes to the quality of the novel in question, perhaps we should also ditch the author bio. Aren’t we also using that to sway opinion by telling readers where we live, where we studied, what career highlights we’ve had and all the rest? Do those things affect the quality of the story? If the book should stand on its own merits, surely this is also superfluous information.

But we won’t do that. We won’t do either. For some readers a personal connection to the author matters. Knowing what someone looks like makes them more real. Knowing where they come from and a little about their lives even more so.

I’ve never heard anyone admit to not buying a book because of the author’s picture. I did once see someone comment about me on twitter, saying “his bio is not doing him any favors” — apparently they’d decided my book must be bad because my past accomplishments were not impressive enough. Much like my looks, there’s not a lot I can do about that except chuckle and move on.

The proof is in the prose.

Visit Jason Hough


    Delilah Dawson

Delilah Dawson Pic Here is a confession: sometimes, I can’t go to sleep at night because I’m anxious about author photos and what to wear to cons and conferences. If you think that’s silly, then it’s probably because you’ve never read the hateful words strangers have written on the internet about your face, body, and clothes. As fantastic as it would be if authors were judged solely by their books, the image we present to the public and online eye can impact our careers, our friendships, our reviews, our sales– and, yeah, our sleep. I even blogged about it–with photos.

Here’s a little bit of my mental process:
I want to be seen as a competent professional. But I’m a weird geek who writes vampire smut, comics, and demon stories. I’m pretty, but I’m getting older, and I was bullied as a kid, so I’m shy and introverted, but I don’t want to seem stuck up. Too much makeup and I look like a clown. Too little and I’m a slob. I want to wear a costume, but will that make people doubt my abilities? I love my Catwoman, Leia, Hannibal, and NERD shirts, but I hate it when guys accuse me of being a fake geek girl; I don’t have the energy to fight it when I have a presentation to give. I don’t want to dress boring, but I don’t want to overdress, either. I would wear that cute corset, but I don’t want anyone to think I’m a prostitute and proposition me– again. If I wear a dress, the back of my legs will stick to the chair. If I wear cute shoes, the women will like me, but if the heels are too high, they’ll resent me. I’ll be sitting down, so if I wear something too low cut, guys will be staring down my shirt. *headsplode*

Red stage curtain with arch entrance You asked about author photos, and I described public appearances, but it’s relevant. Why? Because author photos are FOREVER. The exact same problem described above, but on the internet FOREVER. Printed in the back of a book FOREVER. I just put up a new website, and I’ve already had people say that the photo doesn’t fit my brand, doesn’t look like me, doesn’t match the website, should be in costume, is too “fun” because it’s at the beach. But you know what? It makes me feel pretty and confident. When I see that photo, I remember that day. How strong and happy I felt, the scent of the ocean and the feel of warm sand between my toes. I am all these things. Happy and grinning in the sun. Dark and whimsical and goth. Geeky and weird and vulgar. Pretty and Southern and polite. How am I supposed to capture all that in a single photograph?

You can’t. You just pick the one that makes you smile when you see it instead of counting your flaws. And then you get back to writing.

And then you show people the outtakes from your first author photo shoot, because let’s face it: author photos can be pretty ridiculous.

Visit Delilah Dawson’s website
Follow Delilah Dawson on Twitter


    Django Wexler

Django WexlerWhen ML asked me to write something about my author photo, I realized I didn’t have a great deal to say. Mine comes from a photo shoot I did in New York with my mom, who is (conveniently) an ex-pro photographer and generally excellent camera person. She posed me outside the old ivy-covered stone church next to the house, and we took a bunch of pictures of me until we got one that looked reasonably dignified. (I use the undignified one as my Twitter avatar.) My decisions were limited to which black coat I should wear for the occasion.

The Thousand Names Thinking about it, of course, not having to care too much about an author photo is another symptom of what John Scalzi called “life on easy mode”. As a white male upper-class American, my “just looking normal” is the default image of respectability. (Sort of. The DEFAULT probably looks a little less goofy.) So while I may not have much to say on the subject, I very much look forward to reading the other answers here, from people who had to put a lot more thought into it then I did.

Visit Django Wexler


    Elspeth Cooper

elspethcooperOne of the things I was least looking forward to about being published was the author photograph. You see, I hate having my picture taken; I always have. I’m not that fond of mirrors, either.

So when it came to selecting an author photo, I didn’t have many pictures to choose from. A B&W family snap of laughing, chubby toddler-me wasn’t going to cut it, obviously, but the only other photos I had were in my wedding album (the momentousness of the occasion had persuaded me that it needed pictures). I cropped down one of the portraits and sent it off to my publisher. It wasn’t a studio shot, or me posed awkwardly at a desk trying to look authorly, but it was happy and natural, so I thought it would do.

It’s served me very well so far. Despite 21 years working in IT, widely regarded as a boys’ club, I’ve experienced very little in the way of misogyny in the workplace. As far as I know my appearance was never used to make judgements on either my competence or my worth as a human being. Because of that, it never even occurred to me that it might be a hazard I’d have to face in my new career.

the_ravens_shadow_TorSo far, it hasn’t been. The male authors I’ve met have all treated me as a fellow professional, and I’d feel quite safe sharing the elevator with any one of them. But every few months there seems to be yet another story about women in this business being groped or creeped-on, or demeaned on the basis of their appearance. I read what had happened to Mary Robinette Kowal and then I looked at that photo of me in the off-the-shoulder silk gown, and I started to wonder.

Is it professional enough? Does it send the right message? Do I look too girly to be taken seriously or does it mischaracterise what I write as romantic fantasy? And the kicker: will it be used against me?

And then I thought about it a little more, and decided: to hell with all that. It’s me, take me or leave me. What I look like has nothing to do with how or what I write, and if my picture influences how people perceive me or my work, surely that says more about them than it does about me. Which is their problem.

Visit Elspeth Cooper


Stephen Blackmoore

stephen_blackmoore_bw_1200 (1)Ceci n’est pas une author photo.

Oh, sure. It’s a photo and it’s of me, an author. So technically, yes, it’s an author photo. But it’s a picture my wife took of me while I was slightly drunk sitting in an airport bar in Wisconsin in the middle of winter a few years back. That one just happens to make me want to run and hide the least of any of the pictures of me out there.

Author photos are weird. They’re more than just a picture. They are image and brand, trademark and logo. At their core they’re marketing tools. But I’m never sure what exactly my author photo is supposed to be selling.

The easy answer is books, but I don’t think that’s entirely true, at least not directly. My picture has nothing to do with whether my book is any good or whether or not you will like it. I didn’t write it with my face no matter how drunk I might have been at the time.

When it comes down to it what it’s really selling is me. I’m not exactly comfortable with that. I’d rather you never know what I look like at all. Like everyone there’s too much about me I don’t like. Too much about me I’m afraid you might not like. I’m too fat, I’m too short, my nose is too crooked, my face is lopsided, I’m too hairy, my eyes are off-center, my forehead’s too big, my eyebrows are too bushy. The list goes on. And it raises troubling questions. Does the Me in my author photo convey the Me that you think it should? That I think it should? Do I look like a fantasy author? Or a crime writer? Or a serial killer in an ice cream truck prowling the streets for children like some modern-day Baba Yaga? What do any of those things look like, anyway?

And why do I care?

Dead-Things-coverI care because I’m human and humans care about that sort of thing. I wish we didn’t, but we do. Like it or not we make decisions based on how people look every day. It’s so unconscious we rarely even know we’re doing it. It’s just how we’re wired. And I fear that whatever judgement you place on my looks is going to not just translate to my books, but be used to judge me as a person.

Stupid, I know, but there you have it. I don’t know who you are and don’t know me, but it’s there, anyway. I’m willing to bet some of you have something like that, too.

Whenever I look at that picture on a website or on a book it feels a little like I’ve turned to on-line dating out of a desperate need for validation. HERE IS MY PICTURE I HOPE YOU FIND ME PRETTY ENOUGH TO BUY MY BOOKS PLEASE GOD GIVE MY LIFE PURPOSE.

But of course that’s ridiculous. I don’t need a picture to show a desperate need for validation. That’s why I write books.

TOTALLY different.

Visit Stephen Blackmoore


    T. Frohock

MisererePhotographs, like stories, are illusions. What you see in a photograph is a very stylized rendition of a person for all of a tenth of a second. Then that photograph is airbrushed and photo-shopped to make the person look a lot better than he or she normally does. My professional photograph in Miserere is merely one aspect of my character (my then-agent liked that particular photograph, because she said it captured the warmth of my personality). What you don’t see in that photograph is that my husband sat behind the photographer and joked with me to make me relax and laugh. So any warmth in that photograph is aimed at him, not you, sorry.

Illusions are funny things, what someone sees in a photograph is more telling than the actual picture. In other words, Mr. Fodera told us much more about himself than he did about Ms. Kowal. For example, Mr. Fodera obviously envisions something sexual when he sees women in “diaphanous white outfit[s]” on the beach.

To each his own. Personally, I think guys with dark hair sitting on motorcycles in torn jeans are sexy. Does that mean that we should portray Joe Hill as a slut because he didn’t opt for the “innocuous author headshot”?

Of course not.

Joe Hill and his bedroom eyes.

Joe Hill and his bedroom eyes.

However, let’s look at that picture for a moment. It is really a very sexualized pose for a man. There is Joe sitting on a vehicle that is associated with male virility, which is the male equivalent of being “recumbent on the sand with legs exposed.” The motorcycle is a TRIUMPH, another word associated with manly endeavors. His torn jeans expose his leg. His expression says, “I am one serious dude,” which is the male version of bedroom eyes, come hither, my love.

Or, is that what I’m reading into it?

It’s an illusion, you see. What I see in that picture tells you much more about me than it does about Joe.

The truth is probably much less lurid. The publisher indicated Joe needed a professional photo, the photographer asked him some questions, and VOILIA! Joe is on a motorcycle, looking appropriately badass as a horror writer should. Personally, I think the Wikipedia photograph of Joe reading from a book in a bookstore is, in all probability, a better representation of his personality.

The truth, quite frankly, is rarely what you see. In my case, I’d rather give you the illusion of my words and let you make your decisions about me based on my stories. Nothing more.

Visit T. Frohock


    Mazarkis Williams

The Emperor's KnifeWell, this is an interesting question for me to answer since I have no author photo, and I think that too has its problems. Authors are personalities, and very often people like to attach a face to that personality. Without a face, there is added distance, but also some safety from being misjudged.

But even without photos, we see ourselves differently from how others see us: what we type in, or don’t, can be interpreted in a variety of ways. Photos are just one more thing to decode. I don’t make a business of examining author pictures, but once in a while I’ll see one and wonder from my safe, faceless distance, what kind of choices were made in choosing that particular photo. Was it candid or calculated? Did the photographer or the author decide what to include? But never do I put any judgment to it, especially since my own photo is most definitely not out there. If I had one, I would want it to be arty, and convey intelligence, thoughtfulness, and perhaps gravity. But I have no idea whether it would be perceived in any of those ways.

Visit Mazarkis Williams


    Zachary Jernigan

ZacharyJerniganI’m endlessly fascinated by appearance, and I always take a bit of offense when someone thinks admiring a person’s physical form is, by its nature, superficial. I like people (despite what you may have heard), and part of liking people is admiring their features. I don’t find everyone attractive on the level we typically think of when we say, “that’s an attractive person,” but I do find almost everyone to have physical appeal. Especially in person, during conversation, individuals — well, interesting individuals, anyway — have such a range of expression that it’s hard not to find something likable in the mix.

It’s normal for you to be curious about another person’s appearance, especially if that person is someone you admire (or who simply provides an entertaining experience). As time goes on and the world becomes ever more connected, the expectation will only grow that an author provides an image. Yes, even though it has no bearing on the content you’re reading.

Well, except it does. If you see an image of an author, you carry that into your reading, or it informs your reading afterward. You attach a measure of significance, automatically, to a person’s face. This person wrote this. Like it or not, unless you’re somehow the kind of person who attaches no value to physical appearance, you will let this change the way you look at what the author has written. Slightly or fundamentally, it will happen.

If you’re a hugely bigoted person with a small range of “acceptable” or “innocuous” ways a person can be represented photographically, then obviously you should stay off all social media lest it shatter your rosy, neutered view of all these slutty wordsmiths parading around in sheer outfits. Don’t let our society, which increasingly tells folks (I hope) that it’s okay to dress and celebrate their own particular beauty, destroy what might be perfectly enjoyable books!

Oh, how much risk there is in looking at people! Heaven forbid you should be momentarily struck by someone’s beauty or ugliness!

I got a few words for you, if you’re that small-minded: grow the fuck up.

Now, I’m not all that grown up, but you know what? I encourage authors (like all people) to learn to love themselves, and celebrate with others the joy in their faces, the excitement of a good photo taken. I encourage them to reveal themselves to be people, and not just some abstract, often idealized form known as an author. I don’t expect writers to hide their faces or to demure unless they want to — and if they want to, who gives a shit? I don’t need an author photo to love a book, and I surely don’t need one to dig the hell out of the person who wrote it. I have no idea what Mazarkis Williams looks like, but dammit do I like the hell out of Maz.

(Waitaminute! Same goes for you, ML!)

No ReturnGoodness, I could go on forever on this topic, but I won’t. Suffice it to say — and finally get to the main question — I did put some thought into my author photo. I wanted to convey the fact that I don’t take myself seriously, all the while knowing what a huge display of privilege that was. I’m a man. I don’t have to worry that coming across as goofy will in any way invalidate me. I could choose to portray myself in nearly any way without repercussion.

Because, again, I’m a dude. I can post ridiculous crap like this and have people laugh and take my underlying seriousness and anger as just that — seriousness and anger. They validate me. I don’t get called a slut. There are no accusations of me shamefully using my body to garner attention. I got a lot of hits on that post, in fact. My intentions were read charitably. Anyone who didn’t think charitably of what I did remained silent. I didn’t receive hateful emails or passive-aggressive comments.

Tell me how many women, having done what I did, would receive so welcoming a response.

I’ll answer you. None. None of them would.

Any photo of an author — still, this late in the game, after all these proofs of our own prejudice; when we should be mature individuals, dammit! — reveals the underlying mechanics of privilege. It is a demonstration of how kneejerk our reactions are to appearance. More than anything, it is proof that we have a long way to go before we can say that sexism is not a problem in the science fiction and fantasy (and larger literary) community.

Visit Zachary Jernigan


Thanks so much to Jason Hough, Delilah Dawson, Django Wexler, Elspeth Cooper, Stephen Blackmoore, T. Frohock, Mazarkis Williams, and Zachary Jernigan! Have thoughts about author photos? Post below!

Iron Night: Locked Off

Iron Night released cover big version

On Monday night, I scanned and emailed my corrected page proofs to Roc, so Iron Night is now officially locked off! I’ve made my last changes, hopefully I’ve caught all of the biggest problems, and now it’s out of my hands. I remember being at this place before with Generation V, but it felt different then – at the point when I was finally hands-off with Generation V, I had to move straight back into work on other projects. Right now, just because of where things fell, I actually am getting a bit of a breather. The manuscript of Book 3 is with my editor, and I won’t get notes back on it for probably another month or two. I already have a bit of a list of notes on it from my readers and my agent, so I have a feeling that I’ll probably be doing some more extensive fixes on this one, but I’m happy to take a break from it (just for a little while!) so that when I come back to it later, I can have look at it with fresher eyes.

This is also a bit of a nervous point in the process, because while I’ve spent about a year in total working on Iron Night, and my direct involvement in the writing has now come to an end, it won’t be hitting bookstores until January, and since the ARCs (advanced reader’s copies) haven’t been produced yet, I haven’t gotten any “real” reader feedback yet. I’m really excited about this book, and I’ll definitely be doing more posts and dropping more hints about its content as we get closer to the release date, but mostly I can’t wait to see what people think about where I’m taking Fort and Suzume.

I’m going to be starting to work on publicity for Iron Night soon, so I’ll be getting a chance to talk with all my favorite bloggers again, and hopefully also try and get some bookstore events scheduled as well. Should be exciting, and I’ll get going on that next week.

Also coming up – New York Comic Con! I’m so excited about this! Thanks to support from a local businessman (my uncle in Forest Hills is letting me sleep on his sofa – thanks, Uncle Alan!) I’ll be in town on Friday and Saturday.

Here’s my schedule right now:

Thursday, October 10

Work ends at 6:50pm, head down to New York.

Friday, October 11

11:00am – 12:00pm: “FRIDAY FIRSTS” PENGUIN SIGNING (BOOTH 2129 )
First in series signing with M.L. Brennan (Generation V) and Benedict Jacka (Fated)
If you’ll be anywhere in the area, come and say hello to me! I’d love to sign your book or even just give you one of my cards!

That's a real inducement, isn't it? Yeah, look at it. This could be yours!

That’s a real inducement, isn’t it? Yeah, look at it. This could be yours!

7:45pm-?: Private dinner

Saturday, October 12

Speakers: Mia Garcia, A.D. Robertson aka Andrea Cremer, Django Wexler, Alex London, Myke Cole, Anton Strout, M.L. Brennan

Description: GEEK REVOLUTION is a no-holds-barred geek culture game show featuring six science fiction/fantasy authors competing for the chance to be TOP GEEK. In addition the audience members will be asked to ‘write-in’ questions in hopes of stumping the authors and winning a prize pack of books. Hold onto your hats, nerf herders, this might get ugly.

This is looking like so much fun, and I’m really looking forward to it! If you are going to be at NYCC, this had better be one of your required stops!

So that’s what’s planned so far – if you have an event or a party that you think I should be attending, tell me about it!

In other news, after working pretty frantically all summer, I actually had some downtime after I submitted the Book 3 manuscript. This meant that I was able to get some reading done! I love writing, and it’s very exciting when I’m in the middle of a project, but it does mean that my reading time gets pretty significantly cut back! Here is a list of the books I read since finishing the Book 3 manuscript:

The Age of Ice – J.M. Sidorova
Redshirts – John Scalzi
Who Gets What: Fair Compensation After Tragedy an Financial Upheaval – Kenneth Feinberg
Throne of the Crescent Moon – Saladin Ahmed
Parable of the Sower – Octavia E. Butler
Dushau – Jacqueline Lichtenberg
House of Zeor – Jacqueline Lichtenberg
Old Man’s War – John Scalzi
Shades of Milk and Honey – Mary Robinette Kowal
Darkborn – Alison Sinclair
Shadow and Bone – Leigh Bardugo
(currently reading) The Summer Prince – Alaya Dawn Johnson

Have you read any of these books yourself? If so, what did you think?

The evolution of Fortitude Scott. I mean that in every sense, but more specifically, in the evolution of his cover model. Hiyo!

The evolution of Fortitude Scott. I mean that in every sense, but more specifically, in the evolution of his cover model. Hiyo!